The Daily Roxette

Roxette World Tour 2011 schedule
The Daily Roxette discussions forum has been closed. The forum is only available as a read-only archive.

DID ALL THE FAME FROM 90´S GONE INTO THE DUST?

48 replies

Although being happy of one wish and roxette ressurection I cannot hide strange feelings about releasing plans, about hammy optimism. Do you remember releasing Crash Boom Bang? Nobody didn´t know nothing, but there were many successes. Nowadays, we know everything, but successes...I know, this is a strange world, I envy people from Sweden, the mood is little bit different there in comparism of rest of the world...They aren´t so much influenced by american culture shit....So I don´t doubt, that roxette´s fame will stay alive there or in germany, austria or maybe in our small czech republic, but elsewhere, isn´t it a waste of time?!? Per, wouldn´t it be wiser to concentrate to North/Mid Europe and spare time to make a new album, which can be taken much more warmly there? DON´T LET YOUR FAME TURN INTO DUST BY PUSHING ON BATTLEFIELDS, THAT ARE ALREADY LOST....

Even if the new releases don’t perform well in the charts in the U.S. and the rest of the world (except for Old Europe), they still might manage to sell considerable numbers there - which in the end means money. I agree, the big times are over. The fan family is settled, I mean not growing anymore. Personally, I don’t link selling figures and music I like. I do not need charts to justify my taste or to feel superior or cool. Those times are over, too.

Future releases depend on what P&M want to achieve - easy earning by milking the cows for the n-th time, or please their small but steady fan community (and safe buyers) with personal, non-commercial music (e.g. The Change or S.O.A.P.). In fact, both of them don’t have to prove anything to anybody anymore and are finally free now to release whatever they like.

Yes, money....... :-( I would be so happy to hear another HAND or MAZARIN, I cannot remember last time, when I´ve put LOOK SHARP or JOYRIDE into my CD player, they aren´t even in my MP3 player....I agree, I prefer Roxette in their shape from 1999/2001, so....where´s the problem? :-) Marie did record 2 CD since that terrible accident and everyone´s saying, that it´s getting better and better...I hope, that there´ll be another “smaller”, but “much warmer” ROX cd, there are still hundred-thousands people, who would buy it!!! Per was always saying, that sale figures aren´t so important, as the music is for him, he doesn´t need, to make more money, time is running fast...so why not make something to pleasure those plenty of people, who still adore him and marie?

As for G-Man, as you know he spread some hints about S.O.A.P. II and another Swedish project. Concerning Roxette the weak link is Marie - she’s gotta want it. Frankly and honestly, I understand fully her changed priorities after the tumor and do not expect anything from Roxette. Thus, every single bit of them comes as a welcome surprise.

us culture shit? If it wasn’t for american music tastes to begin with roxete would have gone nowhere, remember europe ignored look sharp till the states picked it up...so get your facts straight. ever band has its hey day then fades away, why should it be any different for roxette, i think some people need to start coming to terms with this

coyboyusa: Yes, but those times are gone....I meant nowadays usa music....and bless god, that good old europe (except UK) is keeping it´s own identity and culture....

And no you’re bringing the UK into it!!! Hmmph!!

************************************************
http://www.myspace.com/pwbbounce
http://www.myspace.com/showbizandy

Roxette is well remembered by their music...and has been very successful and is able to attract attention, only thing is the right tools of promotion must be pushed and if they ever want to make it back they must have good re-mixes and other sources of approach to different segments of the market. But if they believe that things can happen like when “The Look” was picked up that they invested huge after the song was a hit...then they can keep on dreaming...however thats kinda what happened with DHT’s Listen to your heart...someone just played it in clubs and picked up...

Don´t understand why Per is always flying to the us. It´s a lost market (“what´s lost can not be found!” ;) ). And who cares about us-music taste? If they don´t like Roxette than ok, they prefer more this HipHopshit and R´n B. Even Robbie Williams is a unknown artist in the us. In my eyes the best entertainer at the moment.

USA is not everything. If i would be Per, I would look at europe. Germany is mutating to a second usa. Nobody recognized “One Wish” here and i think the same will happen with Reveal. I only hear the old songs, sometimes “a thing about you” in the radio.

EMI did a big mistake with promotion SOAP here in germany and the rest in europe. In my eyes a lost pearl. I only heard Joanna-Says one time on the Radio-station NDR2. It was on a insidershow, which is playing unknown new artists...but no airplay.

Why do charts and numbers mean so much to people? Popularity does not necessarily mean quality. Take Backstreet Boys and Garth Brooks, for example...

“Où sont mes pantalons?”

As cowboyusa said, US are roxette’s beginning. They owe a loto to the US and I think they need to pay tribute to americans. You can never forget your fist love!

I think they don’t owe anything. They could even succeed with no help from the US. Maybe it could take a little longer, but they wouldn’t be ignore in any way. Many artists have been successful even if ignored in the US. So, they don’t have to pay any tribute, that’s ridiculous. Have you read the stupid reviews they got over there lately?

Praise to the great United States, God’s own country, saviour of the world...

Ridiculous.

Amen.

“I envy people from Sweden, the mood is little bit different there in comparism of rest of the world...They aren´t so much influenced by american culture shit...”

LOL :DDDDDD

I think I’ve never been to a country as americanized as Sweden... and I’ve been to several so far :DD

Roomservice, your statement is an opinion, the fact is that Roxette’s success outside sweden began in the US, no question about it.
and it’s not a matter of what kind of review they got in the US, which are close to what we sometimes read in this board.
Per as always said that he’s angry about the way EMI jeopardised their success in the US starting from Spending My Time single. I think he’s also looking for “revenge”. I don’t think that this greatest hits without a new hit to crush into US radio could be the right way, but that’s not a good reason not to try.

It began in the US, but it could be the UK or Germany. In addition, it was totally random, due to that student and bla bla... Saying they owe everything they had to the US is a bit exaggerated. Many artists have been successful in Europe and then totally ignored in the US. Some American artists, like C. Lauper, The Bangles, B. Carlisle even charted better in the UK than in their homeland...

Bit It began in the States, nowhere else. Without the succes in the US with Look Sharp! Joyride probably never would have been recorded. And no one, NO ONE would have remembered Roxette.

And btw, real fun that people from Germany and Spain (among others) are saying things about the US...

That’s only your opinion, and since the time machine was not developed yet we will never know what could have happened...

“Without the succes in the US with Look Sharp! Joyride probably never would have been recorded”. Sorry, but that is just bullshit.

In spite of the fact that Roxette’s frist hit was in the US, I agree with those who say that they don’t owe that much to America. Actually, Roxette’s carreer developed in European markets, and I think they owe much more to Spain or Germany, countries where Roxette have been really big for years. IMHO, Per should focus more in those markets, instead of insisting in having a hit in a country where he already knows that Roxette are not known anymore.
____________________________________________________________________
“A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal” (Oscar Wilde)

RAGGARE!!! hahahahahahaha

How to explain americanized Swedes: Living in America, by The Sounds!
Great song BTW!

- Roxette won´t make it big in the states with a single as “One wish” (fact!)
Adult - oriented rock pop / power pop / power ballads. That´s Roxette for me, and they will be that for me always.

That´s the target needed to make it big in the US. with a mature sound, as in Tourism / CBB. Not this ultra poppy One Wish. They need to be recognized as the sound they got classic everywhere, not trying to captivate teen fans, with a teen sound.

Vanilla Ninja is a good example of how Roxette´s music may sound nowadays (in my own opinion), for me Vanilla Ninja´s music is the developed Roxette´s classic sound. Very roxettish ballads, Gessle´s power pop songs. That could be great music to make it big in the US. Sexy and Sweet! - Not sounding weak.

Jut the fact that you guys are discussing Roxette’s sucess in terms of US exposure or lack thereof, should tell us all a whole lot about how important the USA was to catapult Roxette into wolrdwide spotlight. Think about and be rational. I’ve never seen anyone discussing Roxette worldwise sucess in terms of their exposure in any other country besides the USA. However, feel free to correct if i’m wrong.

Just the amout of #1 singles in the US, which is a gigantic market, not only for music but for almost anything, should also ring a bell. Not to mention all the top 10 singles we saw in the US too.

Take care!
Carlos E., New York
“Communication is key”

Well, the USA didn’t do all that much for Roxette in the UK, a market Roxette has NEVER really ’cracked’ as such - only 5 top ten hits, 6 counting The Re-Isssue of IMHBL and absolutely 0 no.1s !

Couldn’t that be an argument that no USA success for Roxette would probably have limited Roxette’s worldwide sucess significantly since even in the UK Roxette has never really taken off ? That’s part of the European market.

Imagine, no US exposure at all for Roxette and no UK exposure too. How would Roxette’s sucess be measured today? Discount all the US hits and the few UK hits. How would Roxette be regarded?

Interesting discussion by the way!

Take care!
Carlos E., New York
“Communication is key”

Well, Carlos, Roxette are and have been quite big in very important markets like Germany and Spain. And through the Spanish market they have reached the Latin American one, which I dare to say is veeeeeeery important, at least thanks to the huge number of inhabitants there.

Fortunately, UK and USA are not everything in this life, and they are not everything in music business.

Cheers.
____________________________________________________________________
“A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal” (Oscar Wilde)

I also, exactly like you, enjoy the fact that the USA or UK are not everything on Earth, or for that matter, any other country should be too. All nations together, complete each other. So, yeah, i take that last point of view of your previous message as something i agree upon.

I just hope it’s not trying to subtly imply others in the US or UK, or even me, in this specific case, of being egocentrically biased.

Besides that, i appreciate your valide attempt to put forth your take on this topic.

Take care!
Carlos E., New York
“Communication is key”

I wonder why you always talk of Europe and forget South America. Roxette was huge here and still are famous even though they don’t sell as much as before.

Isn t that the way of the world, america and europe are in the focus because the rest of the world doesn t matter anyway

No. It’s not because they don’t matter or are insignificant. It’s just because, it seems like, the other parts of the world, for the most part, follow what comes out of Europe (with all their countries being acknowledged here as individual countries) and the USA. Especially, entertainment including music, fashion and technology.

It’s unfortunate, but i really don’t see significant numbers of entertainmet, fashion and technology coming out of countries in South America, Russia, the African countries and Asia, excluding Japan and South Korea for technology and other areas of entertainment besides music.

So, my argument is that since Roxette are european and had many number 1 hits and many top 10 hits in the USA, which is a super market for almost anything including music, and that can really propell an artist’s carreer to huge heights throughout the world, as most of the other parts of the world do in fact start to see that’s it’s worthwhile to play songs that became really successful in the US, and therefore, the artist becomes even more sucessful. As a result, the band now has its songs being played almost any where on the world, except the countries that close themselves to pop western culture (North Korea and many coutries in the Mid-East).

As an isolated example, when i lived in Brazil, i never heard songs from Asian, African and European countries, except some from England couple from Finland and of course Roxette from Sweden including AOB and ABBA. Everything else, for the most part, as from the US and of course the national brazilian music.

As always, anyone can argument otherwise and feel free to correct on whatever i may be mistaken.

Take care!
Carlos E., New York
“Communication is key”

of course nothing ever came out of asia, that s why India got the bigger film industry than the US. also that s why japan has the 3rd biggest music market and america is not influened at all by asian fashion. You are so right I have to agree with you on every point. OOhhhh let s not forget about latin american music being totally ignored in the US

@phoenixsamudra:

Interesting.

How many times on one week, do you actually find Indian movies
on all the regular most established movie only channels? What are the origins
of most of the movies on those same channels you see on TV? In my experience unless i go to a specific Indian rental store, i’d find just a few to be rented. On TV, unless it’s a Indian movie channel only, i’d find just few movies from time to time.

Yes, 3rd biggest music market. It’s good you point that out. Do the radio
stations in your country or most of other countries play Japanese songs along side all the western culture style songs ? Name a few hit songs from Japan that are being hits in Europe, North America, South America, Oceania and Africa.
As a matter of fact, i’ve never heard one. Except Anime/cartoon songs on the cartoon episodes themselves, and many times they are replaced by versions better suited to the target market where the anime/cartoon series is being broadcasted.

Concerning Asian fashoin, if you stop to watch fashion channels or even fashion news events, the most important and recognized ones are always Milan, Paris and New York , although São Paulo and Rio de Janeiro, huge south american cities in Brazil, have started to become important too. I rarely see on the news or on fashion channels, much about Tokyo and other bigger Asian cities. Even on brazilian news i watch often and on Hispanic news channels (many from Mexico).

On to the Latin American music part of this discussion, i have to acknowledge that in recent years, due to the huge increase in the hispanic population in the USA, you can actually find hispanic only radio stations and music channels becoming more widespread. And that’s a good thing in my opinon. I like integration! I like the mixing. But this is not the argument. The influence you might be refering to, is the big explosion of Reggeton in the US music scene, especially and for the most part, among the Hispanic US population. Before Regetton gained ground on the US, i had never heard of such music genre, even though as i said, i follow media from the US, Brazil, the BBC (from Englad) on the radio and also hispanic news on hispanic TV channels. Therefore, I would never have learned about Regetton had it not been exposed in the US and taken its artists to higher success due to all the exposure in the US. If you don’t live in Latin America, the US or maybe even Spain, don’t know what Reggeton sounds like but you’ve already heard about it on the media or from someone else, i credit that to the big success it has become due to the exposure in the US music market. So, if it’s not being played in your country, if your country is not in Latin America or the US, don’t be surprised if eventually you start hearing Reggeton on your radio stations.

To wrap it up, you don’t have to agree with everything i say. It would be silly. After all, you are a free person and have freedom of opinion. As long as you legitimitely disagree you are more than welcome to do so.

My argument stands: Once a music artist is exposed to the US and some european countries like the UK and Germany, and the artists have big hits in those markets, their success is then much more easily recognized and spread to most regions of the world then if the hits were in Brazil, Russia, Paris, Japan, Egypt and so on. Therefore, making them even bigger stars.

Have a good one!

Take care!
Carlos E., New York
“Communication is key”

indian movies are played on german and swiss television several times a week, even on national television. i cannot speak for other countries.

what i forgot before was to thank amaricans for what is now called r’n’b and hip hop. i think you can never have enough nudity and sexist statements in childrens television

Although i agree with you that certain aspects of Hip Hop such as the physical exposure of the female humam body is not good for children, i can’t criticize the freedom of expression and speech of the Hip Hop artists. Furthermore, i believe that the parents are the ones, whenever possible, who should monitor their children and decide what their children should watch and listen to. If, you think that an artist’s freedom of expression and speech should be taken away from him/her by the gorvernment or any other entity, to protect someone else, in this case children, which is a nobel idea, you’d not be respecting the freedom of others. The parents can always block channels, don’t let children watch programs you as a parent beleive to be offensive and the best of all and most important, raise your children with the strong values you believe to be good for them. Also, always communicate with them.
Remember, there are always choices!

Well, i hope you have understood my argument which was explained in my previous posts. Also hope, you’ve come to accept it as a valide one.

BTW, are you saying that HIp Hop is on cartoon, Discovery Kids, Nickelodeon and Disney channels ? I highly doubt that. Well, at least over here, there’s no Hip Hop whatsoever with half naked women on these children’s channels. If that’s the case over there. it’s plain irresponsibility of the administrators of those channels as those are children-specific channels. So you don’t have to thank the Americans, but indeed, you should celebrate and be thankful for the freedom of expression and speech among others, most of the people have, including you and me.

Take care!
Carlos E., New York
“Communication is key”

I m as usual overexaturating and do accept all of your point.

I do not see what is on children channels in US, all i see is how small children take hip hop as a role model and use words that they don t even know what thay mean.

Yeah, it’s something that is not really healthy for children who do that. It’s the same thing with children that have parents that smoke, drink to much and do drugs. None of those things a good fro children and they follow what their parents do. It’s very detrimental ofr sure.

Well, i’d like to thank you for this healthy and polite debate we had. I had lots of fun!
Stay well!

Take care!
Carlos E., New York
“Communication is key”

Name a few hit songs from Japan that are being hits in Europe, North America, South America...

Well, let me say one of our local artists made a cover of a Japanese song, “Shimauta”, and it was a huge hit here around 2002. And we even didn’t understand a word! ;o)

Cool!

Nice to know about it! Thanks! :-)

Take care!
Carlos E., New York
“Communication is key”

well actually there are currenlty a few japanese acts very succesful in europe. they sing in japanese. well and let s not forget about all the hindi and punjabi tracks that sweep the nation.

Just because Germany has Aggro Berlin,it doesn’t mean that it’s turning into the 2nd USA!
Because allot of ppl here don’t like Rappers like Sido or Bushido!
I prefer the Roxette Style!
————————————————————————————————————————————————————————————————
Have Fun!!!

@Room Service: the only Japanese Band that I know of is Shanadoo (they sing the Song ,,My Samurai”)
————————————————————————————————————————————————————————————————
Have Fun!!!

I guess the fact is Good or Bad songs IMHO One Wish & Reveal were Bad songs and really bad produced + a few Playback appearances didn’t help that much ...
But well nowdays we’ve got youtube, myspace and so on, charts and sales number are just part of the past ... Our world has changed, let’s face it.

I think that ONE WISH is actually a good!
————————————————————————————————————————————————————————————————
Have Fun!!!

i used to in the beginnign balk at both one wish and reveal, I’ll admit it. Maybe because after being told their sound was moving away from their old sound they’d seemed to be dwelling on the ” old sound” again. The production was rushed, it isn’t bad and that’s what alot of people seem to forget, 2 weeks, 2 songs to be mastered and added to both the hits package and the boxed set. I know alot of people envision america being a lost cause for them but it isn’t. Neither of them can or are interested in doing the amount of pr it takes to get noticed stateside. It’s not the uk wherre u hit 5 towns in a week and your pr is done. Per often mentioned this when asked about the differences in regards to promotion. They also need a break in trends...the only reason they were ever big in the usa is they hit at a point where the music scene had stalled, much in the way savage garden hit big just after grunge died but before boy bands got huge in the states. Thats what they need again, maybe 5 yrs from now when rap/ rnb dies out. Hinestly, I never understood why pop idol hasn’t done a tribute to roxette night, of even american idol for that matter. What irritates me the most is per and marie have contributed more to the scandinavian pop music scene than any band during their active careers, that include abba.....and yet they are over looked as this 80’s pop band when I honestly find them more relevant now than they were when LS came out.

http://www.mariefredriksson.blogspot.com/

Seems, Roxette is officially dust in the wind now. We all knew, but someone had to speak it out.

Ouchh!!!!

Strange feelings after this 16 years.

- - - - - - - - - - - - - - - - - - -

RoxRoom.wz.cz

Well said coyboyusa

I’ve got strange feelings 2!!!

Close

Get the latest articles to your mailbox, subscribe to The Daily Roxette newsletter.

Enter your email address:


Delivered by
FeedBurner